Showing posts with label songwriting. Show all posts
Showing posts with label songwriting. Show all posts

Sunday, November 22, 2015

20151120 Happiness = New Words + New Melody

Happiness is listening to the radio on a long drive home after a satisfying day of work, with a beautiful, pink-clouded sunset filling the sky all around me.


Happiness is finding a program on the radio playing songs Stephen Sondheim said he wished he'd written. Among the selections was one I'd never heard before, a lump-in-the-throat-joyful-AHA-moment-feeling-at-the-end sort of song, written for a voice just like mine.

Happiness is coming home to discovering that I already have the sheet music for this song among the books on the shelves in my studio.

Happiness is setting a goal to learn to sing and play the song this week. I will sing it for others sometime soon, in the hope of giving them that same lump-in-the-throat-joyful-AHA-moment sort of feeling it gave to me :-)

New Words, new melody. This is happiness.

I'm not going to come right out and tell what the song is. Not yet. Though there is a big fat clue among the words you've just read.

And here is another big clue.



©Kay Pere ~ Effusive Muse Publishing

Tuesday, April 26, 2011

FREE DOWNLOAD: Grand Design: Artist's Prayer MINI-POSTER

FREE PDFs to DOWNLOAD*

Formatted for 8x11 inch paper. Looks particularly yummy printed on beige card stock. You will need Acrobat reader or some other program to view the PDFs. Print settings may have to be adjusted to accommodate the size of the image within the allowable margins of your printer.

WHAT IT SAYS
The Grand Design: An Artist's Prayer
a song by Kay Pere

My heart is a parchment, my hand holds a quill.
I dip this pen, quivering, afraid the ink might spill.
I long to draw you to me, Great Mystery within.
Move my hands, move my heart, guide my pen.

Though I try to sketch the future, only your hand turns the page.
You erase the stains and smudges of my past mistakes.
So I ask, please, grant the wisdom to know where to draw the line
And provide a clearer vision of your Grand Design.

I could never pen your portrait for I've yet to see your face,
But I know you from your likeness in the beauty of this place.
The pattern of your stillness rests upon my open book.
A still life of your spirit shines wherever I might look.

Though I try to sketch the future, only your hand turns the page.
You erase the stains and smudges of my past mistakes.
So I ask, please, grant the wisdom to know where to draw the line
And provide a clearer vision of your Grand Design.

Great Artist, you arranged the stars and fashioned each small flower.
My heart and hands are yours to move in the quiet of this hour.

So I ask, please, grant the wisdom to know where to draw the line
And provide a clearer vision of your Grand Design.

(c) Kay Pere ~ Effusive Muse Publishing

WHAT IT'S ABOUT
Sometimes, making a beginning is the hardest part, until you remember that you don't create alone.

I've always felt a bit intimidated by a blank piece of paper, an unplanted garden bed, an unshaped lump of clay, a song waiting to be recorded. No matter how many times I've done something before, successfully or not, beginning anew is always accompanied by a particular kind of internal resistance.

The outcomes of my efforts, past and future, draw themselves vividly before me in that moment when I sit down to begin. Sometimes this feels so daunting that find it hard not to turn away.

I wonder to myself: Will it work out as well as it did last time? Will the result be what I imagine? Or will I repeat my past mistakes? Will my weaknesses of skill, knowledge, character or body keep me from completing what I've set out to do? Will my work be blocked by something I can't foresee?

I lose hope.

Until I remember how many times that errors--both on the page and in my life--have lead to outcomes much better than I ever could have envisioned.

In life, my most painful and costly mistakes have always ushered in periods of the greatest personal growth. Mishaps and mistakes in judgment have taught compassion, forgiveness, resilience, strength, self-acceptance, and so much more.

In my creative work, I can't count the number of times a failure of materials, equipment, skill, or advice has brought me to a place where the things I'd originally set out to do were no longer possible. I'm learning to be more open to accepting change and seeing what IS possible. When I can to do this, the results I didn't expect are always more interesting and original than those I could have planned.

I know I haven't provided specific examples. In the coming days I hope it to write in more detail on my other blogs, sharing anecdotes from my pottery work, songwriting, and teaching. As soon as these interrelated essays are ready, I'll share links to them here.

I hope you'll print out a mini-poster or two, and place it where it can inspire you.

The words are meant as a reminder that there is another Artist who creates along side you.

Take chances, trusting that--one way or another--the outcome of your efforts will be something beautiful.

As we create, so we are created.

HOW THIS WAS MADE
The hand-drawn frame of this MINI-POSTER was doodled on the back of an old 8x10 glossy publicity photo I had taken and duplicated by the hundreds for a press kit about 8 years ago. I have a huge stack of these photos remaining, an error in planning I've been hiding in the top of my studio closet, but that's a story for another time. Now they're becoming the raw material for something much more satisfying, serving as sturdy drawing paper for playing with sharpie Markers.

I doodled the frame 2 days ago with no particular purpose in mind. Decided yesterday morning it needed text in the center. Scanned it. Modified it. Selected my song "The Grand Design: An Artist's Prayer" for the text. Discovered that this song--which I've been working on for the past 3 years--was still missing 2 lines. At that moment the inspiration fairy finally chose to visit. And here it is.

When there's a recording and/or video of "The Grand Design: An Artist's Prayer", you'll find links to these here, as well as on my website.

(c) Kay Pere ~ Effusive Muse Publishing

*These are copyrighted images. PERMISSION IS HEREBY GRANTED to duplicate for personal use, to give as a gift, or to raise funds for non-profits supporting social justice and the environment. Also authorized for academic use. NOT to be sold for personal or commercial monetary gain. Kay Pere and Effusive Muse Publishing retain all rights to "The Great Design: An Artist's Prayer" song lyrics, music, and related sound recordings. Contact Kay Pere for additional information.

Friday, April 09, 2010

THREE PROJECTS: Laying the Groundwork

About a month ago, I found myself at a crossroads.

The people attending our songwriting retreat back in March asked me where they could find recordings of the songs I’d sung for them and when my Creative Compass book would be available for purchase. I realized that I needed to find an answer for myself to the same question they'd asked over and over during our workshops: “How do I find time in my busy schedule for my songwriting?” (or writing a book, or learning to paint, or starting a band, or building a website, or planting a garden, or exercising…)

Their questions and interest motivated me to search for a workable answer.

Right in the middle of one of the busiest periods I’ve been through in many years—six weeks straight teaching lessons, performing concerts, presenting at conferences and retreats, selling pottery at shows, and hosting family gatherings, all without a single day off—I knew I was overdue for a change. I hoped to find a solution that would work for me, while offering tools and ideas that others could adapt to their own lives.

My creative work is piled up like a logjam in side me. It’s fully realized but not in a form that exists without my physical presence. If I’m not on hand to perform the songs, present the workshops, or sell my pottery on the spot they might as well not exist.

A month ago, on Monday, March 29, 2010 I began by making conscious effort to change comfortable old habits that were obviously stealing time and energy. I needed to remove the virtual drug that had been lulling me into complacency about the work I really wanted to be doing.

I’ve waited this long to post this because I didn’t want to try out these changes in public, only to fall back into old habits and have to confess to my backsliding just as publicly.

Four weeks into this change I feel much more comfortable passing along the specific things that have allowed me to start making tangible progress again toward three creative goals that had previously languished for months, even years, until now:

  • Recording my "Dolphin's Daughters" CD project
  • Writing my "Creative Compass" book
  • Spending time making pottery for the joy of it (and to sell online and at artisan shows)

The change has come primarily by reclaiming time dissipated online, time I was numb to having wasted each day. And a change in attitude.

COMPUTER CAPACITY

Recording a CD and writing a book are computer intensive activities. Though my capacity for being glued to a computer screen for hours on end is fairly high, there’s still a limit to how much time I can put in each day, both in terms of endurance and availability. Wasting capacity on mindless internet exploration leaves little for recording a CD or writing a book.

In other words, I can only sit at my desk for so many hours straight before I my backside begins to hurt and I'm overpowered by an urge to run out front door into the sunshine shouting, "I'm free! I'm free!"

I realized that the time I was spending online reading news stories and blogs, skimming Facebook status updates, and watching funny videos must have been meeting some need otherwise I wouldn’t be doing it. What I had to figure out was what purpose they were serving so I could find a more satisfying way to meet those needs and free up my computer capacity for work on my projects.

The conclusion I drew was that time online was serving as a poor substitute for real world random exploration and discovery, enrichment, entertainment, and personal connection with others. If I could make a place for more of these things away from the computer screen, then the changes wouldn’t feel so much like deprivation during the crucial early stages.

TIMER FOR A CHANGE

Four weeks ago I set out first to quantify the minutes and hours slipping past in mindlessly screen staring while I read Facebook status updates and browsed internet news, caught up on artists’ and eco blogs, searched for recipes, listened to music or watched the latest viral Youtube video.

I set a digital timer counting as soon as I went online that first day. I needed cumulative total. Each time I went off to do something goal related or respond to a client email I stopped it. As soon as I returned to the internet in an unfocused way I started it again.

At the end of the first day, I was astounded by what the timer showed. And too embarrassed now tell you what it said, though you can read the fine print in the picture of my journal, below. Had I really squandered the entire morning after breakfast morning, and several wedges of precious time between teaching lessons, then another hour just before bed on that first day? Talking with other people, I soon realized that I wasn't alone, only difference was the time of day I was going online, morning vs. evening for most people.

For the next two days, I continued tracking my time online without changing habits. I had to convince myself of the magnitude of the problem. Was this really the way I'd been living? I made little chart and totaled up different kinds of internet use for several days.

Each day yielded the same results: several hours irretrievably lost with nothing to show for them but a nondescript sensation that I had done something vaguely useful.

How had I become delusional enough to sincerely believe that the majority of my internet time was being used for writing and responding to business correspondence or goal related reading, writing, watching, and listening online? The hard data I’d collected on myself showed a completely different story.

Fully convinced by the middle of that first week, I switched the timer from stopwatch to countdown mode, allotting myself only 1 hour, total, each day for online entertainment and curiosity.

My previous pattern had been to check email, read news, and browse Facebook over a bowl of generic cheerios or oatmeal, then loose track of time until mid-morning or even lunch time if I got up late. I work for myself teaching voice and piano to student scheduled to arrive afternoon through evening. I rationalized that my morning was the equivalent of everyone else’s evening, when other people relax and blew off steam after a hard day of work. This sort of daily schedule would be fine, except that there are other things I want to be doing.

The change felt more than a little awkward at first. I went through withdrawals on Thursday and Friday of that first week. It was like giving up a drug. Symptoms included a nagging sensation that something important was missing, restlessness, and irritability followed by the intense urge to return to my old ways.

More than a few of times, as I worked on other things at the computer, I lost focus and mindlessly clicked on the browser icon only to return to awareness 10-15 minutes later while skimming news headlines and articles on yahoo.com, or browsing friends and family members status updates on Facebook.

So I started rationing the hour in 15-20 minute increments throughout the day, using it to take breaks from other work. When the time ran out I planned to shut down the browser and return to other activities, but on several occasions the time expired, the timer beeped, and many minutes went by before I returned to awareness.

The next morning unplugged the Ethernet cable before powering on the computer. I didn’t plug it back in until lunchtime and got a lot more done.

BALANCING FOCUS & RANDOMNESS

I could see that if I simply reined in my old habits, while offered nothing as a replacement to meet the needs they were fulfilling, this experiment would fail. If I planned to impose additional structure on an already busy schedule, I would need to offer myself some other form of release of the sort that inspires rather than numbs.

The next step was to begin replacing cyber randomness with real world spontaneous exploration and online social networking with face-to-face interaction.

To fill the need for random, spontaneous exploration, that first week I started taking my new digital camera out for a walks capturing anything and everything that caught my eye.

I spent sunny hours working in the garden for fun, allowing myself to be drawn by whichever task called to me next—picking up leaves, digging holes to transplant rhubarb, picking pieces of antique pottery from the sandy soil like an archeologist, pruning the blueberry bushes.

I spent quiet moments sitting on the grass in the sunshine watching a pair of crows circle high over bare branched early spring woods.

Or by the sea as cloud shadows, wind ripples, and lobster boats pass.

I’ve browsed through the local public library, picking books off of shelves and bringing home CDs to discover new ideas and new music. Sometimes I’ve stayed to write there in a big comfortable chair for a change of scenery.

For human connection, I’ve been more open to conversation with people I encounter when I’m out in the community, choosing activities that will give me opportunities for interaction. It’s amazing what listening and thoughtful sharing will open in another, and in yourself.

This past weekend I struck up a conversation with a woman outside of the hardware store. We’d come out of the store a the same time and I’d noticed that she had a pick-up truck full of bamboo plants. I asked where she’d gotten them, then whether she was selling them, and eventually arrangements to get some for our yard. Not only that but learned a little about her family’s farm, it’s history, and why they're having to sell it. It’s a place I’ve driven by nearly every day and admired, lamenting the 55 acres that will soon be opened to development just a half-mile from our home.

Unlike the hours squandered on the internet, random explorations in the real world and time reclaimed for projects yielded memorable, tangible results.

The vividness of hours spent walking around town with a camera—capturing the shapes, colors and textures of ordinary objects—lingers even a week-and-a-half later. As does the satisfaction I feel each time I look back at those images. The experience of that day is burned into the retina of my heart.

THE PAYOFF

My projects have progressed and I’m feeling more alive!

The payoff can be found in small, tangible accomplishments and memorable experiences. These have replaced the emptiness I felt during the first few days after changing my old routine.

No, the CD is not recorded, not in four weeks, nor will it be finished in the next month or even two, but I now know exactly what I’ve already accomplished and what needs to be done next to keep things moving forward.

A unified awareness of accomplishments and next steps was difficult to holding in my mind before, when the virtual world ruled my attention.

I began a new pottery vessel titled Carpe Diem, which can be seen here, among other things. The scraps from forming this will become labyrinth necklaces to add to my Sacred Shards inventory.

And the Creative Compass book?

I’ve begun again to add 3x5 cards with ideas, quotes, etc. to my pocket chart outline as I happen upon them. I’m open again to uncovering insights and capturing them so they are beginning to appear nearly everywhere I look, as if by magic.

Although more dedicated time is needed to make real progress on the book, many ideas and topics are beginning to take shape in my daily writing.

During the coming month, I plan to commit certain hours each week to work on the book and my blogs. This will be another step forward.

The average non-fiction paperback book contains 40,00-50,00 words. The word count for this little essay has run more 2200 with an investment of about 12 hours total. I started it back at week two, but came back to rewrite and edit several times before it seemed ready to find it’s form.

Though this article won’t be used beyond this blog without further editing, it shows that writing a book is not such a distant, unachievable goal. A simple calculation reveals that 25 essays of this length could well be woven together to create a book of marketable length. [55,000 / 2200 = 25] This is totally doable!

I’m learning in a concrete way that moving these big projects toward completion is just a matter of accumulating incremental progress.

It’s a cliché of the creative world that you can do anything 15 minutes at a time. Well, it’s true.

My threshold of measurable accomplishment seems to be found after 1-3 hours of continuous work. Obviously the hours I’ve reclaimed from useless internet wanderings, and soulless TV watching before that, more than allow for this.

TIME FOR THE FINDING

I found the time in my busy schedule to begin to record my songs, make more pottery, and write the book by turning away from the virtual, toward the real world were songs and pottery and books must come exist apart from my presence, were the need for random exploration and human connection can truly find their fulfillment.

As a wonderfully affirming bit of ironic serendipity, in the midst of all this change an old friend posted a link of perfect relevance on Facebook. Unaware that I’d been working to make these very alterations in my life, she shared the following article, “Time Lost and Found” by inspirational author, Anne Lamott.

After reading it I knew I was absolutely doing the right thing.

A month has passed since I began instituting these changes and tailoring them to accommodate my best way of being and working.

I write today with new habits firmly in place: the ethernet cable is unplugged from my computer. It’s nearly lunchtime and I have not yet gone online today. In a few minutes, I’ll power down the computer, plug the cable back in, then go online to finally post this little article on my “Quiet Little Life” blog for you to read.

When I do, the timer will be close at hand, already set to count down from 1 hour as soon as the day’s browsing begins.

Though I still expect to lose track of time spent online occasionally, I know I’m more awake than before and more aware of the time passed there. Always, I’m eager to return to the real world were more satisfying work and exploration and human connection await.

©2010 Kay Pere ~ Effusive Muse Publishing

Thursday, February 18, 2010

BAKING: 1st Cake from Scratch!

Yesterday's Creative Output:
1 Chocolate Buttermilk Cake with Mocha Whipped Cream Frosting
2 8-inch round layers

Life can be home schooling for grown-ups.

That's how I see it. I've turned off the TV, where I'd just be watching other people do things, and I've tuned in to learning and doing things myself instead, using my unscheduled time to following my curiosity.

It has been a goal of mine for a long time to bake a cake from scratch. Why? I'm not entirely sure. Sense of accomplishment? Potentially delicious results? Happy husband?

It's one of those urges you don't question. You just go with it. But where to start?

For my first scratch-baked cake, I meticulously went through all my cookbooks and compared all the chocolate cake recipes (no exaggeration). If I was going to put in the effort to bake a cake this way, I wanted to understand what I was doing and what the options were. I wanted to maximize the chances of success. Nothing is more discouraging to a novice baker that an unpalatable result the first time out.

At the risk of revealing the level my enjoyment of detail and depth, and looking a little crazy in the process, here is a picture of the table I created and filled in with ingredient quantities from 18 different chocolate cake recipes (not including the flourless or chiffon varieties).
Earlier this week, when the number of choices and amount of information was feeling overwhelming, I put this chart together so I could look for patterns. I enjoyed imagining each one as I looked over the recipes.

That's probably why I have so many recipes collected and organized into binders on a shelf in our kitchen. I read recipes the way some people read trashy novels.
Though the cake in the picture above wasn't from the recipe I ultimately used, the photo supplied inspiration for the finished result.

Some recipes used powdered unsweetened cocoa, some solid, some Dutch-process, some non-Dutch-process (wasn't even sure what this meant when I started). Some specified butter or shortening or vegetable oil, or milk or water or buttermilk or yoghurt or sour cream, white sugar or light brown sugar, baking powder and/or baking powder and/or salt. And so on. A lot to understand.

Got a wide variety of reactions when I told people I was planning to bake my first cake from scratch this week--everything from "Why would you want to do that?" to "You've got to try this great frosting recipe!"

Ultimately, I took a friend's advice and chose a recipe with buttermilk for my first attempt. She said it would be more moist. For the frosting, I decided on a flavored whipped cream for simplicity's sake--I already knew how to whip cream and add things to it. Other frostings required unfamiliar steps. One can only take on so many unfamiliar steps at one time.

Mixing the cake ended up not being a big deal. Creaming butter and sugar together on a stand mixer? I knew how to do that. Easy! Measuring and sifting together dry ingredients? I could do that. Again, easy! Breaking eggs? Mixing it all together? Putting the batter into the greased and floured pans? All easy!

Why had it seemed to overwhelming to begin with? Too many choices. Multiple steps examined as a whole. The print began to swim on the page. Until I took it all a little at a time.

Choose and do! That's it.

This is an approach that applies to any other undertakings. Face down the feelings of being overwhelmed by choices and the worry about making the best one. Take the time you need to understand what you're about to do, as much as you can without having done it, then choose and do! Or just jump in and try stuff, see what works and what doesn't. Either approach works.

Many kinds of knowledge only come from the doing.

Three years ago I decided I wanted to learn to bake my own bread. Now I'm very comfortable with the process and enjoying experimenting with methods, inventing my own recipes. I would love to get to this point with other areas of cooking.

Cooking is just another thing to know, useful knowledge with edible results. It's a way of relating to the things that us bring sustenance. It's the raw material for an enjoyable experience, sitting down with others to converse.

So many of the other creative things I'm involved in are what I would call "long cycle" activities.

From concept and clay to finished piece to gallery or market is a relatively long cycle, on the scale of weeks or months, sometimes years. From concept to song to performance to recording to distribution is another long cycle of months or years.

Baking is a creative activity with a "short cycle" from beginning to end, just a matter of minutes or hours. The recipe I chose said "2 1/2 Hours Total, including cooling, 25 minutes active." A small investment when I know we will enjoy this cake all week.

Besides, what else was I going to do? Watch TV?

[I have chosen not to include the recipes I used, leaving the fun for you to choose your own. Both cake and frosting recipes came from "A Piece of Cake", by Susan C. Purdy, which has 380 recipes for all varieties of cakes and frostings--purchased used for $3 at last spring's library book sale.]

Sunday, June 14, 2009

SONGWRITING: Awakened by the Muse

I was awakened by the Muse at 5:00 this morning (after getting to sleep past midnight last night.)

Grabbed bedside pencil and paper, diligently wrote down the stanzas in my head. But the Muse insisted I get up and go to the piano.

Now I'm online researching Greek mythology for lyric content at her request.  

Ignore her and she goes away to pout. Don't want that.

UPDATE: 20090615
This was one of those rare songs that essentially wrote itself. Two double verses plus a chorus (AAB AAB form), multiple layers of meaning, literary references, chords and melody, all came together within a very short time.

As soon as I'm able to play this song fluently enough, I'll post a rough recording and put up the lyrics.

I want to shorten the distance between song creation and proliferation, not worrying so much about having "radio ready" recordings before letting songs leave the nest for the first time. Trying to short circuit perfectionism and keep it real. I want to open a window into the process as it happens.

Heed the the Muse!

Monday, December 29, 2008

Time Between Years

Each year for the past several I've taken the week between Christmas and New Years to dive into the process of cleaning and reorganizing my studio, and other parts of the house, with an eye toward what I envision accomplishing in the coming year.

It's always a time of reflection, a shifting of energy from past ways of being and doing toward ways that are a better fit for where the new year finds me and where I hope it will take me.

This is one of the few times of year when I don't have music students coming and going on a daily basis, or weekly rehearsals in our home with the 20 or more kids in our ensemble.  I'm able to shift my focus from helping others define and achieve their goals toward looking at and working toward my own, without distractions.

It's always a relaxed, playful and intense time.

Here are some of the results from previous years:

Don't know what I did between Christmas and New Years last year at this time (12/07-1/08). Maybe I'll dig back and see if I can figure that out.

This past year has been a bit of a bumpy ride, with the bumpy bits that I hope will not repeat in the year ahead, or any other for that matter.  4 months of less than optimal health, plus another encounter with the darker side of the human condition, are things to be left in the past, if at all possible.

We don't always get to choose what happens to us, but we can choose to continue making plans and working to make them real.  I'm actively choosing to move forward into the coming year, making my plans based on the likely assumption that these difficult things won't repeat in 2009.

And even if they do, or some other challenges come along, well ... here I am anyway.  And here are the ones I love and the life we have together.

Here's to making life simpler.  

Here's to enjoying what is.

Started last night disassembling all the recording and audio equipment in my studio, to be simplified and rearranged.

I've removed the things I no longer use (maybe never used) and the things that have worn out or broken from frequent use (an old amplifier, a CD changer/player and a cassette tape deck), and have  begun to arrange the few things needed for my new set up in a way that will make for easier work flow.  And maybe some actual recordings.

Between each thing that gets moved or removed there's pausing, looking, thinking, wiping up dust and grime, imagining whether this is the best way.  

It's hard work to rearrange.

I'm trying to keep in mind that "good enough" and done is far better than the perpetual struggle for an ideal "best" that's forever incomplete.  (Same goes for the editing/re-editing of this blog post.)

Now, back to it.  

Powering down.  Disconnecting.

Reconnecting in a new way.  Powering back up again.

Friday, November 28, 2008

VIDEO: Me Singing "Time at the Table"


"Time at the Table"
Words and Music by Kay Pere and Bill Pere
Performed at the Shubert Theatre in New Haven, CT
Kay Pere with Bill Pere and the LUNCH Ensemble

Check back soon for lyrics.

:-), Kay

Saturday, March 08, 2008

Cape May Singer Songwriters Conference

We landed in beautiful Cape May NJ this weekend, for the Cape May Singer Songwriter Conference where B and I taught workshops, performed, and met a lot of wonderful people dedicated to writing and performing their songs.

Though this photo looks like a UFO beamed us down on the NJ beach, we actually arrived by car.

The conference was held at Congress Hall, a beautiful old resort right on the shore, built in 1816.

More to come about this wonderful weekend and the people we met there.

Wednesday, February 27, 2008

RECORDING: Secretive Computer Cajoled

Progress.

MIDI setup is working with my iMac through MOTU Digital Performer

MOTU 828 digital audio interface drivers are installed and signal is visible in Garage Band, though not audible even though all the settings are correct. Not sure why.

Next step will be a focused effort on getting digital audio I/O between 828 and Digital Performer.

MOTU has great phone tech support!

They have completely avoided using the phone purgatory systems most companies employ. No dealing with automated menus saying, "For blah-blah-blah press 1, for yada-yada press 2, for bippity-boppity press 8." You just dial a phone number given in the front of the users' manual and an actual, knowledgeable person, who speaks English even, picks up the line to answer your questions.

That's the way customer service should always be.

Tuesday, February 19, 2008

RECORDING: Secretive Computers

Today I did battle with technology. It won.

Today my computers refused to play nice and make things easy.

Today they kept secrets and snickered behind their shiny screens.

Today I tried a lot of things that didn't work.

Today ended with more questions than answers.

Today I learned a few of the right questions to ask.

That was my one success.

Tomorrow I will ask again and learn a little more.

In plain English: Today I attempted for the first time, unsuccessfully, to get my Mac Mini to send and receive digital audio with the MOTU 828 interface. I spent about 5 hours in failed attempts, while digging through my studio for a missing software disc.

Tomorrow I start again.

Monday, February 18, 2008

SONGWRITING: Binder & Web Work


Today was a day spent working on the administrative side of my creative projects. As a result, I was able to check a couple of longstanding items off my TO-DO list.

I finished printing out lyric/chord sheets for all my songs and put them into a binder organized with tabs by CD project (several underway currently). It felt good to see them all in one place for the first time. I think this will help to focus effort for the next stage--recording.

The tabs are made out of manilla file folders cut along one of the ridges that allows the folder to expand, then three-hole-punched. I do this for flexibility and to save money on office supplies.

The chord sheet shown is for my song "Livin' in the Present", a birthday celebration song for people who've already put more than a few decades worth of birthdays behind them. The chorus starts: "You're livin' in the present and it's a gift, a gift to be opened." Doing my best to practice what I preach. :-)

I also did some editing on my website, finally fixing one tiny little embarassing spelling error that had been there since the site was designed. Much more to do there, but it's not all going to happen in one day.

Our internet connection has gone through a major improvement today with the arrival and installation of a new, more powerful modem. [Thank you, B!] With any luck, web work won't be as much of a hit-or-miss activity as it has been. Nothing like having the wireless internet connection drop right in the middle of a complicated editing or uploading session. I'm hopeful that this is a thing of the past.

Now, I'm off to get my hands dirty working on pottery. Need to shift my focus away from technology for the rest of the evening. And there's nothing more low-tech than a fist full of mud!

Wednesday, March 14, 2007

Contest Win

Last month I entered a contest and won. This was a first for me, both the entering and the winning. In the process, I learned a lot about my own competitive nature. (More on that in another post.)

Nancy Mills, the founder of "The Spirited Woman" wrote a set of words and challenged others to set them to music. The theme of her organization is "Living in the Land of Enoughness". Through her workshops, newsletter and website, she encourages women to feel empowered by knowing that we are enough, just as we are.

You can listen to my rendition of "The Spirited Woman Song" HERE.

Nancy interviewed me over the phone following the announcement of the winners. You can read the interview HERE.

One of the fun things about this contest was that Nancy encouraged participants not to worry about their results, to just come up something fun and enter. Some "songs" were even called in to an 800 number she set up especially for the contest. Others, like mine, were sent by email as MP3s.

While some contestants made up their songs on the spot, for me, taking a song from concept to finished recording in 8-10 hours of work, and finishing by a deadline, was a major breakthough.

The 4 finalists were selected by a panel of judges. The order of winners was determined by popular vote.

A big happy "Thank you!" to everyone who emailed or called during the short 24-hour voting window.

My prize money will be going toward recording my next CD, hopefully coming out in Spring of 2008.

:-), Kay

Friday, August 25, 2006

SONGWRITING: Raw Materials


This is where song ideas turn into songs, here at my piano, with a pile of freshly sharpened pencils (Papermate American Naturals unvarnished wood) and lots of notebook paper on pads.

American Naturals are my pencil of choice for all writing. Some are better than others, even though they're labeled as being same the brand. The best ones are very smooth and made of a reddish wood. The others are made of a lighter wood, not sanded as well and have smudgy erasers. When I've gotten those by accident I've gone over them with a fine grained sandpaper before using them. It's just one of those things. They don't feel right.

Last time I found the good ones in a store I bought up all they had. Spent about $20 on pencils. I should be OK for the next couple of years. :-)

I'm very possessive of my song writing pencils. For some unknown reason they seem to grow legs and disappear into an alternate universe along with all the singleton socks, coat hangers, winter gloves and guitar picks.

Here's a link to a blog for Dave in NZ who also has strong feelings about his pencils, in case you're interested.

During a songwriting session, I rip the pages off the pads and spread out them out all at once across the piano, so I can see the ideas as they develop. I'm working on an upright piano where the individual sheets have a tendency to slide off onto the floor if they're not secured in place. I've use a long strip of cardboard sitting on the piano's music rest and 8-10 bankers clips over the top edge of the cardboard to hold the music in place.

I've come to these preferences through experimentation.

The bare wood pencils are part of my desire to feel more connected with the natural world, to simplify my life, and to have my creative work flow from that place. Besides, they feel good in my hand.

The cardboard-and-bankers-clips setup developed as a solution to accompanying singers while playing from multiple sheets of photocopied music. This idea carried over into my songwriting.

By using my creativity to find solutions to problems in the environment where I do my creative work and discovering materials that fit with my values, I've added another dimension of meaning to my artistic work processes.

I encourage you to find creative ways to make your materials, methods and working environment a supportive reflection of your own artistic impulses.

RECORDING: Process & Meaning

I'm in the early stage of writing a book about the creative process. In preparation for organizing my material and bringing the project into better focus I ordered a pile of used books through Amazon.com about creativity. I wanted to see what had already been written and how these other books were organized, so could be sure that my ideas will offer something new and different.

This reading has been good for me, both artistically and personally. After a long time way from the studio, I've started recording again. I don't have much to show for it yet, but I'm on my way.

The process of recording a song is much more than sitting down at the piano with a microphone and pressing the record button. Although I use this simple method, on a minidisc (MD) recorder, to capture ideas and develop songs in progress, much more is needed to produce a radio ready recording. Even more will be required if the finished recording is to reflect my vision of the sound I want for my music.

So first thing in the morning, I've spent 2-3 hours each on Wednesday and Thursday this week moving a few tiny steps closer to a recording I'm ready to release. After 6 hours of work, I've completed STEPS 1-4 below for a new song B and I wrote back in June called "So Little Time (Time at the Table)". I'm hoping I'll get faster at all this with more experience.

I start by working in MIDI using MOTU Performer on a Mac. Here's my process:

STEP 0 - Practice, arrange, and visualize in preparation for performance and recording.
STEP 1 - Make a rhythm track that works with the feel of the song. This is a temporary placeholder used to set tempo and provide a grid.
STEP 2 - (could have been STEP 1) Make a chord sheet for the song so I'm not working from memory, not chancing chord and structure mistakes while the record button in armed. This is also essential for communicating the song to others involved in the process.
STEP 3 - Record a rough piano part.
STEP 4 - Enter markers into the conductor track to show beginnings of intro, verses, chorus, bridge and outro.
STEP 5 - Record and quantize piano. Cut and paste together if necessary.
STEP 6 - Record bass track, pad or organ track, lead instrumental track.
STEP 7 - Hand it off to my recording partner. Record a rough vocal to use as a reference while he's detailing the arrangement. Work collaboratively until the results are on target.
STEP 8 - This depends on the nature of the project. Ultimately, for my next CD, many of the MIDI tracks will be replaced by acoustic instruments. This may involve sessions at various locations with hired musicians, then combining audio tracks back in our studio.
STEP 8 - Record final vocals.
STEP 9 - Mix and master completed song.
(Repeat STEPS 1-9 for each song)
STEP 10 - Master completed CD project.

Beyond this, I design my own artwork and graphics for the packaging, make duplication decisions, arrange for band rehearsals, handle distribution and booking, do publicity. I've put off recording because all of this takes time away from my first love - writing a new song.

The joy, for me, is in the process of writing of a song then bringing it live to an audience. Recording is an artform I am learning to love. I see it as a vehicle that carry songs from the intense, solitary environment where they were written out into the marketplace where they may catch the ear of someone passing by. To go through this, I have to believe there's something of value in what I'm doing, at least on some small scale.

Selling my art and recordings to raise money for hunger relief and social services through LUNCH is a part of creating meaning through my creative work. Just as important, for me, is the ideas of using art and music to create an awareness of our deep connectedness as human being.

Like my Sacred Shards pottery and the Gaia Luna garden, the songs I record are tangible manifestations of my solitary creative experience, things I can share with you.

When I create, I dive deep and bring back meaning from ancient dream places. Beauty in simplicity, values of family and the natural world, stories of ordinary lives lived in extraordinary ways, and mythic tales from the shadow world. I know the value this holds for me. Beyond that, I'm only guess.

So, I record. I make things. And I bring these things to the marketplace, where I'll chat with whoever stops by to look and listen.

©2006 Kay Pere - Effusive Muse Publishing

Monday, July 03, 2006

NEW SONG: The Moon and Sun MORE!

And what did I do today? I played through all my songs for the Dolphin's Daughters CD and ended up writing two more verses for "Moon and Sun".

MOON AND SUN
Words traditional, with additional lyrics and music by Kay Pere

The New Moon rises with the Sun.
Her waxing half the midday shows.
The Full Moon climbs at sunset hour.
And waning half the midnight knows.

Moon and Sun, the great romance,
Spinning high then bowing low.
Love's ancient luminescent dance,
Shine upon us here below.

A woman rises with the sun.
Her work half done when midday shows.
She climbs the stairs at sunset hour,
And candlelight the midnight knows.

Moon and Sun, the great romance,
Spinning high then bowing low.
Love's ancient luminescent dance,
Shine upon us here below.

A child is born like rising sun.
He seems half grown as midday shows.
His colors climb at sunset hour,
And quiet rest the midnight knows.

Moon and Sun, the great romance,
Spinning high then bowing low.
Love's ancient luminescent dance,
Shine upon us here below.

COPYRIGHT 2006 - Effusive Muse Publishing

NEW SONG: The Moon and Sun

Yesterday, someone asked me what I had done all day and I replied, "not much," until I remember that I had written a song. Hows that for art becoming a routine part of everyday life?!

The words for the first part are a very old traditional rhyme describing where the moon is seen in the sky as it moves through it's phases. I've written the melody and harmonized it so it can be song either as a solo, an echo song, or a round, building as you go with audience participation.

The second part is a contrasting chorus, my own words and music. (I really need to figure out how to create simple rough recordings of new songs to post online) This will be on the Dolphin's Daughters CD.

THE MOON AND SUN
Words traditional, with additional lyrics and music by Kay Pere

The New Moon rises with the Sun.
Her waxing half the midday shows.
The Full Moon climbs at sunset hour.
And waning half the midnight knows.

Moon and Sun, the great romance,
Spinning high then bowing low.
Love's ancient luminescent dance,
Shine upon us here below.

COPYRIGHT 2006 - Effusive Muse Publishing